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1808", "bio": null, "thumbnail": "https://vmw-prod-04.haa.pitt.edu/itinera/admin/media/itinera/images/1/2/3/0/2/89234_ca_attribute_values_value_blob_1230266_large.jpg", "relationships": [ { "related_entity_id": "81", "related_entity_name": "Allan Ramsay", "relationship_type": "acquaintance of", "relationship_direction": "bidirectional" } ] } }, { "related_entity_id": "194", "related_entity_name": "Lord Roseberry", "relationship_type": "acquaintance of", "relationship_direction": "bidirectional" }, { "related_entity_id": "864", "related_entity_name": "Diana Molyneux", "relationship_type": "acquaintance of", "relationship_direction": "bidirectional", "related_entity_details": { "entity_id": "864", "name": "Pietro Francesco Papaleo", "role": "1064", "dates": "ca. 1642 - 1718", "bio": "Italian sculptor, stuccoist and medallist. He worked in southern central Italy, where he is documented as both Pietro Papaleo and Francesco Papaleo, and then in Rome, where his presence is well documented from 1694, when he was elected a member of the Accademia di S Luca, until 1716. His marble work is influenced by Lorenzo Ottoni, who was an accomplished portrait artist in the manner of Bernini. He is presumed to have worked in Naples, where his Victory of St Paul (1688) is in the chapel of S Gennaro in the cathedral. In 1696, with Camillo Rusconi, he was commissioned to make four angels for the chapel of S Ignazio in the church of Il Gesù, Rome, but was replaced by Ottoni and Francesco Moratti because of conflicting contractual obligations (to Cardinal Pietro Ottoboni). His work as a stuccoist included collaborating with Ottoni to make five putti to accompany an Allegory of Papal Power (untraced) in the Galleria delle Carte Geografiche, Vatican Palace. With the sculptors Jean Théodon and Ottoni, he was chosen to judge the sculpture section of the Concorso Clementino of 1702. In SS Apostoli, Rome, his statue of Faith (1705) forms a pair with Prayer by Pierre-Etienne Monnot. Another work traditionally associated with the sculptor is Pope St Fabiano with Angels and Putti (1712), commissioned by Clement XI for the Albani Chapel (Rome, S Sebastiano). Of his work as a medallist it is known only that he was responsible for a medal bearing the effigy of Flavio Orsini.", "thumbnail": "", "relationships": [ { "related_entity_id": "205", "related_entity_name": "Accademia di San Luca", "relationship_type": "acquaintance of", "relationship_direction": "bidirectional" }, { "related_entity_id": "194", "related_entity_name": "Jean-Baptiste Théodon", "relationship_type": "acquaintance of", "relationship_direction": "bidirectional" } ] } }, { "related_entity_id": "605", "related_entity_name": "James Adam", "relationship_type": "travel companion of", "relationship_direction": "bidirectional", "related_entity_details": { "entity_id": "605", "name": "James Adam", "role": "1062", "dates": "21 July 1732 - 20 October 1794", "bio": "John became partners with his older brothers John and Robert in the 1750s in Edinburgh. From 1760 to 1763 he was on a Grand Tour in Italy accompanied by George Richardson, an architectural draughtsman and guided by Charles Louis Clérisseau, Robert's teacher, employee, and friend. In 1763 James joined Robert in partnership in London, remaining the subsidiary designer until Robert's death in 1792. He then continued working until his own death two years later. ", "thumbnail": "https://vmw-prod-04.haa.pitt.edu/itinera/admin/media/itinera/images/1/2/2/3/8/5533_ca_attribute_values_value_blob_1223827_large.jpg", "relationships": [] } }, { "related_entity_id": "196", "related_entity_name": "Augustino Brunias", "relationship_type": "travel companion of", "relationship_direction": "bidirectional", "related_entity_details": { "entity_id": "196", "name": "Lady Louisa Augusta Conolly", "role": "996", "dates": "24 November 1743 - August 1821", "bio": "Lady Louisa Augusta Conolly, born Lady Louisa Augusta Lennox, was the fifth child of Charles Lennox, the second duke of Richmond. After the death of her parents, Louisa and her sisters were sent to Carton, County Kildare, under the care of their older sister, the countess of Kildare. At the age of 15, she married Thomas Conolly. Louisa presided over the remodeling of the couple's Castletown House, as well as the garden. After Conolly's death on April 27, 1803, Louisa devoted the rest of her life to philanthropy, making various investments in charitable institutions, schools and churches. 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